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Abcs of kinky sex lyrics

Abcs of kinky sex lyrics

Recommended Angel Heart A PI is hired by a mysterious character to track down someone who disappeared. This person, he's told, is needed to 'settle a debt'. Strange murderous events seem to follow every lead and things get darker and more violent with each development until everything dives into the supernatural world and stays there.

Voodoo craft and devilish work is at hand, leading man to murder, incest and other violent deeds. Very gritty, stylish and dark with a dark sweaty texture that you can feel, and bizarre atmospheric sequences that all make sense at the end.

Barton Fink An intelligent satire on writing screenplays, pitting inspired work against Hollywood cookie-cutter and commercial pressures. The uptight, tormented Barton is whisked away to Hollywood to write a pointless b-movie after his plays become a success, and he finds himself in a surreal hell that becomes more and more literal.

Small touches such as heat, peeling wallpaper, pus and flames are turned into a full-blown surreal vision in a climactic ending, with a wonderfully enigmatic epilogue that teases with themes of beheaded muses, hell, the devil taking over, and living in a beautifully superficial but enslaving postcard world. One of the Coen Brothers' early masterpieces, and definitely their most bizarre movie.

Beasts of the Southern Wild A truly magical movie that deserved its hype. This tells the tale of a strong-willed little girl and her strict father that live in a poor bayou community in the American South called the Bathtub. They live behind the levees and are in constant fear of flooding, but are very attached to their homes and lifestyle. Her father contracts an unknown disease, adding to the fears, but the people are well trained in the practice of toughing it out and ignoring bad news.

The movie is not only seen through her eyes, but also through her mind, combining gritty realism with the unexplained mysterious world of adults, and several stories or warnings become fantastical, imaginary and surreal. When she misbehaves, her fears that she may have broken the world are seen as reality, and beasts of legend turn into symbolic monsters.

A trip across the waters that may or may not be real, leads her to a floating whorehouse where a woman who may or may not be her mother seems to do magical things. I am usually not a fan of movies carried by children, but this one features a very striking and unforgettable lead, and the magic revolves around her. Bernie French madness in the form of a black comedy. Bernie is an 'orphan' who decides to leave his orphanage where he has worked all his life, and search for his parents.

Trouble is, he is also a paranoid and violent-prone idiot several levels removed from reality. Amongst the things he discovers is that he was thrown into a garbage can as a baby through a garbage chute, but this is obviously the fault of 'them' and not his loving parents.

His father turns out to be a psychotic sodomizer bum, and his mom has succeeded in building a respectable life, or has she?

He also encounters a drug-addict, money-loving bitch whom he pays to be his girlfriend, and her sleazy wheelchair-ridden father. Sparks fly, madness and violence goes rampant, and the movie is full of one shocking, blackly comic and colorful surprise after another. A bit too full of wackos for my taste, but undeniably entertaining if you don't mind trashy over-the-top madness. Compared sometimes to Pulp Fiction for ambiguous reasons but this doesn't have that movie's sense of reality nor its inventive structure.

This is more like a nasty cartoon. Some of Dupontel's subsequent comedies are similar but less nasty and insane. Buddy Boy I suppose it's popular to compare anything slightly weird to Lynch nowadays, but the only movie Buddy Boy compares to is The Tenant.

But whereas The Tenant was fatally flawed by Polanski's acting and unbelievable madness, this one is more subtle. A stuttering, shy and guilt-ridden Catholic man lives with his weird step-mother in a filthy apartment, peeping on his sexy, Vegan neighbour and then developing a relationship with her.

He keeps watching and discovers his neighbour's dark secrets Guilt and a fear of hypocrisies lead him to doubt his neighbour's Vegan and loving 'religions' until he, and we, can't tell what is real anymore.

A flawed, well-crafted masterpiece with a pointless bizarre and twisted sub-plot involving his step-mother. It also boasts a very exquisitely intriguing ending. The original title also translates to Martyrdom as well as Ordeal which is much more interesting.

A corny performer of love songs is hounded and desired by old women, but this is nothing compared to the fans of his romantic talents in the local backwoods village populated entirely by insane, inbred, desperate lonely men and no women. This desperation soon leads to crucifixion, rape and other acts of violence although the director cuts away from the shock and gore, sometimes too much in fact.

The lead actor is somewhat weak and the idea of artists and romantics as martyrs for sad, lonely people isn't explored to complete satisfaction, but the last half hour makes up for this with several scenes of gripping madness, brilliant black comedy and atmosphere.

Contains several demented scenes that rival Texas Chainsaw Massacre in its backwoods insanity. Although reminiscent of movies like THX , Brazil and Zero Theorem with their themes of an individual desperately looking for humanity in a dehumanized world, the look of this movie is strictly contemporary, employing cold office-space and urbanism.

In this alternate modern world, big brother is always on ubiquitous speakers instructing people on safety, encouraging them to procreate from a very early age, and suggesting they grow to love the game of croquet. The game, in this case, being a symbol for the larger theme of the movie of dehumanizing, alienating and sadistic social behaviour. Violence breaks out and crowds turn away politely, men die or kill themselves in the millions, and loyalty to authority masks cruelty, or, alternately, soulless masochism and suicidal tendencies.

And it is up to the protagonist to separate these two types of citizens using absurdly cruel but simple tests at his office. Humans submit to these tests to prove their loyalty, and the tests are designed to identify the people that actively think, but either way they end up soulless.

The movies explores this character, whose soul is being torn apart between his mother on one end who committed suicide in order to harden him into becoming socially 'normal', and his wife who saw humanity in him once a long time ago.

A quiet movie with a deceptively simple story that grows on you. Children, The This one is here purely for its incredibly effective and disturbing horror. Well written, well acted, superbly directed horror with tension and psychologically terrifying developments that just keep building slowly to a crescendo. You may be thinking that a horror movie about killer children has been done lots of times before, not always successfully, except that this one really hits you in the gut.

It feeds off several fears: The chaos of misbehaving children doing dangerous things somehow gone very wrong thanks to an unknown disease, the terror of not being able to defend yourself properly when faced with a toddler, especially if you are the parent of this toddler, and the inability to believe that a toddler could be a culprit of senseless violence, leading to wild reactions and accusations between adults, and the inability to handle such a situation.

The story is simple: Two sisters and their families meet in a remote location for some family fun, when a virus strikes. I can imagine the average young horror fan will not understand what all the fuss is about, especially since it isn't all that gory, but I can also imagine parents not being able to watch much of this.

I see this as the toddler version of the intense Eden Lake, except that it is forced by necessity to use a virus to explain the behaviour and make it realistic. A masterwork in horror construction that feeds off basic human fears, with superb editing that knows exactly when to cut and splice to build up the horror that spirals rapidly out of control.

Clean, Shaven A very effective study on schizophrenia posing as a serial killer movie. The mental state, fears and nerves of a man just released from an asylum is portrayed grippingly by both a great performance and minimalist, inventive cinematography and sound.

As he travels to see his long lost daughter, sounds in his head make him a nervous wreck, mirrors set him off on an obsessive shaving spree that causes self-mutilation, and he becomes convinced that a radio transmitter is in his head and fingernail, leading to a stomach-churning mutilation scene. In a brilliant twist, an obsessive, pedantic and neurotic policeman thinks he is a killer and tracks him down. Coraline Henry Selick delivers another animated dark work of wonder, this time based on a Neil Gaiman story, except that, this time, it betrays its juvenile origins despite its dark almost-adult-oriented content.

The animation is a wonderful blend of CGI and stop-motion, lending the computer effects some tactile texture. The story, feels juvenile and simplistic, spelling things out for the audience, but the visuals are outlandish and the imagination is the real star of the show.

Coraline is a bratty young girl who finds herself stuck with parents that are no fun, in an old country house that hides dark secrets and features very eccentric stage and circus neighbours. A creepy doll that looks just like her, and some mice, take her into a surreal adventure that goes beyond the twilight zone, through an Alice in Wonderland tunnel into a land that tempts her with ideal alternative parents and endless fun.

The only thing that seems bothersome is that the people there have buttons for eyes. But who cares when you have gardens that come to life, mechanical huge insects, a mouse circus, canons that fire cotton candy, and dotty neighbours performing for a dog audience. Probably too scary for young children, with a dark imagination that will entertain adults, but perfect for that age in the middle. However, for a much better version of this story, see MirrorMask.

Delicatessen A post-apocalyptic, futuristic dark comedy from France with an artistic sense strongly reminiscent of Gilliam's Brazil. Food is rationed, the economy is back to the barter system and people resort to cannibalism while vegetarians are underground revolutionaries that live in the sewers. A circus clown finds a job in a building where various psychotic and neurotic men and women dwell, and where cannibalism is a rule-based system.

Visually rich and superbly hilarious. It isn't as blasphemous as it is made out to be though as the characters discuss and ramble philosophically, wipe out sinners, challenge or support God who happens to be a Canadian rock singer , and try to get laid.

Along the way we are treated to the sight of a demon made of pure excrement. The style of the movie will also remind you of several other films, giving the movie a further flawed feel of unoriginality, but it is very fascinating, well done and watchable despite all this.

The look and feel creates a dilapidated steampunk world similar to Brazil except slightly more dark and depressing, combined with some fun cheesy injections of 60s retro-color on its TV shows and commercials. Simon James is a 'non-person' who is absurdly easy to forget.

He has to sign in to work as a visitor every day because the guard can never recognize him, the system seems to have it in for him, with near-conscious elevators and computers malfunctioning in his presence, and people walk all over him in so many ways it becomes absurdly depressing and blackly humorous. He also pines for the depressed girl next door.

When a new employee joins his company, nobody seems to notice that they are identical, since this new guy is everything he isn't: A confident ladies man. Their lives become intertwined in ways they don't expect when they start to take over each other's lives.

Equus One of the most intense and thought-provoking movies ever made. A psychologist encounters a teenager who has created his own abnormal religion of horse-worship and unbridled passion. The jaded psychologist, acted powerfully by Richard Burton, already having doubts as to his work of 'normalizing' youths, reaches an intense state of self-doubt as he both respects, fears and psychologically manipulates the sick but vibrant youth who had a bloody eruption of passionate guilt that ended in violence.

Eternal Sunshine of the Spotless Mind An insightful, quirky and sensitive masterpiece about memory, ingrained behaviour and emotional attachment. Although this was written by Charlie Kaufman, I feel that Gondry made it his with his many visual quirks and love for his characters, as opposed to Kaufman's loathing.

This movie explores the above themes by taking a loving relationship that has gone bad, and adding a memory erasure procedure into the story. Lovers that live in pain naturally search for a way to remove their suffering, but what is left after memories are erased? Perhaps the love would remain, as well as habits, inclinations and even emotions that would cause us to make the same mistakes over again? What if, during a memory erasure procedure, we suddenly realized that we don't want to lose the good with the bad and that the good was a lot more important than we imagined?

Gondry has both visual as well as intellectual fun with all this, adding slight surreal touches as we see the world through a man's emotionally torn mind that is being systematically scrubbed.

Memories are consciously hidden or moved elsewhere, change before our very eyes, and even become surreally warped. Superbly touching, fun and fascinating for thinking, sensitive audiences. Far Side of the Moon, The A magical, quiet, subtle and rich movie. This is one of those movies where the experience surpasses any attempt at description.

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The Abc's of Kinky Sex



Abcs of kinky sex lyrics

Recommended Angel Heart A PI is hired by a mysterious character to track down someone who disappeared. This person, he's told, is needed to 'settle a debt'. Strange murderous events seem to follow every lead and things get darker and more violent with each development until everything dives into the supernatural world and stays there.

Voodoo craft and devilish work is at hand, leading man to murder, incest and other violent deeds. Very gritty, stylish and dark with a dark sweaty texture that you can feel, and bizarre atmospheric sequences that all make sense at the end. Barton Fink An intelligent satire on writing screenplays, pitting inspired work against Hollywood cookie-cutter and commercial pressures. The uptight, tormented Barton is whisked away to Hollywood to write a pointless b-movie after his plays become a success, and he finds himself in a surreal hell that becomes more and more literal.

Small touches such as heat, peeling wallpaper, pus and flames are turned into a full-blown surreal vision in a climactic ending, with a wonderfully enigmatic epilogue that teases with themes of beheaded muses, hell, the devil taking over, and living in a beautifully superficial but enslaving postcard world. One of the Coen Brothers' early masterpieces, and definitely their most bizarre movie. Beasts of the Southern Wild A truly magical movie that deserved its hype.

This tells the tale of a strong-willed little girl and her strict father that live in a poor bayou community in the American South called the Bathtub. They live behind the levees and are in constant fear of flooding, but are very attached to their homes and lifestyle. Her father contracts an unknown disease, adding to the fears, but the people are well trained in the practice of toughing it out and ignoring bad news.

The movie is not only seen through her eyes, but also through her mind, combining gritty realism with the unexplained mysterious world of adults, and several stories or warnings become fantastical, imaginary and surreal. When she misbehaves, her fears that she may have broken the world are seen as reality, and beasts of legend turn into symbolic monsters.

A trip across the waters that may or may not be real, leads her to a floating whorehouse where a woman who may or may not be her mother seems to do magical things.

I am usually not a fan of movies carried by children, but this one features a very striking and unforgettable lead, and the magic revolves around her. Bernie French madness in the form of a black comedy.

Bernie is an 'orphan' who decides to leave his orphanage where he has worked all his life, and search for his parents. Trouble is, he is also a paranoid and violent-prone idiot several levels removed from reality. Amongst the things he discovers is that he was thrown into a garbage can as a baby through a garbage chute, but this is obviously the fault of 'them' and not his loving parents.

His father turns out to be a psychotic sodomizer bum, and his mom has succeeded in building a respectable life, or has she?

He also encounters a drug-addict, money-loving bitch whom he pays to be his girlfriend, and her sleazy wheelchair-ridden father. Sparks fly, madness and violence goes rampant, and the movie is full of one shocking, blackly comic and colorful surprise after another. A bit too full of wackos for my taste, but undeniably entertaining if you don't mind trashy over-the-top madness. Compared sometimes to Pulp Fiction for ambiguous reasons but this doesn't have that movie's sense of reality nor its inventive structure.

This is more like a nasty cartoon. Some of Dupontel's subsequent comedies are similar but less nasty and insane. Buddy Boy I suppose it's popular to compare anything slightly weird to Lynch nowadays, but the only movie Buddy Boy compares to is The Tenant.

But whereas The Tenant was fatally flawed by Polanski's acting and unbelievable madness, this one is more subtle. A stuttering, shy and guilt-ridden Catholic man lives with his weird step-mother in a filthy apartment, peeping on his sexy, Vegan neighbour and then developing a relationship with her.

He keeps watching and discovers his neighbour's dark secrets Guilt and a fear of hypocrisies lead him to doubt his neighbour's Vegan and loving 'religions' until he, and we, can't tell what is real anymore. A flawed, well-crafted masterpiece with a pointless bizarre and twisted sub-plot involving his step-mother. It also boasts a very exquisitely intriguing ending. The original title also translates to Martyrdom as well as Ordeal which is much more interesting.

A corny performer of love songs is hounded and desired by old women, but this is nothing compared to the fans of his romantic talents in the local backwoods village populated entirely by insane, inbred, desperate lonely men and no women.

This desperation soon leads to crucifixion, rape and other acts of violence although the director cuts away from the shock and gore, sometimes too much in fact. The lead actor is somewhat weak and the idea of artists and romantics as martyrs for sad, lonely people isn't explored to complete satisfaction, but the last half hour makes up for this with several scenes of gripping madness, brilliant black comedy and atmosphere.

Contains several demented scenes that rival Texas Chainsaw Massacre in its backwoods insanity. Although reminiscent of movies like THX , Brazil and Zero Theorem with their themes of an individual desperately looking for humanity in a dehumanized world, the look of this movie is strictly contemporary, employing cold office-space and urbanism.

In this alternate modern world, big brother is always on ubiquitous speakers instructing people on safety, encouraging them to procreate from a very early age, and suggesting they grow to love the game of croquet. The game, in this case, being a symbol for the larger theme of the movie of dehumanizing, alienating and sadistic social behaviour. Violence breaks out and crowds turn away politely, men die or kill themselves in the millions, and loyalty to authority masks cruelty, or, alternately, soulless masochism and suicidal tendencies.

And it is up to the protagonist to separate these two types of citizens using absurdly cruel but simple tests at his office. Humans submit to these tests to prove their loyalty, and the tests are designed to identify the people that actively think, but either way they end up soulless.

The movies explores this character, whose soul is being torn apart between his mother on one end who committed suicide in order to harden him into becoming socially 'normal', and his wife who saw humanity in him once a long time ago.

A quiet movie with a deceptively simple story that grows on you. Children, The This one is here purely for its incredibly effective and disturbing horror. Well written, well acted, superbly directed horror with tension and psychologically terrifying developments that just keep building slowly to a crescendo. You may be thinking that a horror movie about killer children has been done lots of times before, not always successfully, except that this one really hits you in the gut.

It feeds off several fears: The chaos of misbehaving children doing dangerous things somehow gone very wrong thanks to an unknown disease, the terror of not being able to defend yourself properly when faced with a toddler, especially if you are the parent of this toddler, and the inability to believe that a toddler could be a culprit of senseless violence, leading to wild reactions and accusations between adults, and the inability to handle such a situation.

The story is simple: Two sisters and their families meet in a remote location for some family fun, when a virus strikes. I can imagine the average young horror fan will not understand what all the fuss is about, especially since it isn't all that gory, but I can also imagine parents not being able to watch much of this.

I see this as the toddler version of the intense Eden Lake, except that it is forced by necessity to use a virus to explain the behaviour and make it realistic. A masterwork in horror construction that feeds off basic human fears, with superb editing that knows exactly when to cut and splice to build up the horror that spirals rapidly out of control.

Clean, Shaven A very effective study on schizophrenia posing as a serial killer movie. The mental state, fears and nerves of a man just released from an asylum is portrayed grippingly by both a great performance and minimalist, inventive cinematography and sound.

As he travels to see his long lost daughter, sounds in his head make him a nervous wreck, mirrors set him off on an obsessive shaving spree that causes self-mutilation, and he becomes convinced that a radio transmitter is in his head and fingernail, leading to a stomach-churning mutilation scene. In a brilliant twist, an obsessive, pedantic and neurotic policeman thinks he is a killer and tracks him down.

Coraline Henry Selick delivers another animated dark work of wonder, this time based on a Neil Gaiman story, except that, this time, it betrays its juvenile origins despite its dark almost-adult-oriented content. The animation is a wonderful blend of CGI and stop-motion, lending the computer effects some tactile texture. The story, feels juvenile and simplistic, spelling things out for the audience, but the visuals are outlandish and the imagination is the real star of the show.

Coraline is a bratty young girl who finds herself stuck with parents that are no fun, in an old country house that hides dark secrets and features very eccentric stage and circus neighbours. A creepy doll that looks just like her, and some mice, take her into a surreal adventure that goes beyond the twilight zone, through an Alice in Wonderland tunnel into a land that tempts her with ideal alternative parents and endless fun. The only thing that seems bothersome is that the people there have buttons for eyes.

But who cares when you have gardens that come to life, mechanical huge insects, a mouse circus, canons that fire cotton candy, and dotty neighbours performing for a dog audience. Probably too scary for young children, with a dark imagination that will entertain adults, but perfect for that age in the middle. However, for a much better version of this story, see MirrorMask.

Delicatessen A post-apocalyptic, futuristic dark comedy from France with an artistic sense strongly reminiscent of Gilliam's Brazil. Food is rationed, the economy is back to the barter system and people resort to cannibalism while vegetarians are underground revolutionaries that live in the sewers. A circus clown finds a job in a building where various psychotic and neurotic men and women dwell, and where cannibalism is a rule-based system. Visually rich and superbly hilarious. It isn't as blasphemous as it is made out to be though as the characters discuss and ramble philosophically, wipe out sinners, challenge or support God who happens to be a Canadian rock singer , and try to get laid.

Along the way we are treated to the sight of a demon made of pure excrement. The style of the movie will also remind you of several other films, giving the movie a further flawed feel of unoriginality, but it is very fascinating, well done and watchable despite all this. The look and feel creates a dilapidated steampunk world similar to Brazil except slightly more dark and depressing, combined with some fun cheesy injections of 60s retro-color on its TV shows and commercials.

Simon James is a 'non-person' who is absurdly easy to forget. He has to sign in to work as a visitor every day because the guard can never recognize him, the system seems to have it in for him, with near-conscious elevators and computers malfunctioning in his presence, and people walk all over him in so many ways it becomes absurdly depressing and blackly humorous.

He also pines for the depressed girl next door. When a new employee joins his company, nobody seems to notice that they are identical, since this new guy is everything he isn't: A confident ladies man. Their lives become intertwined in ways they don't expect when they start to take over each other's lives. Equus One of the most intense and thought-provoking movies ever made. A psychologist encounters a teenager who has created his own abnormal religion of horse-worship and unbridled passion.

The jaded psychologist, acted powerfully by Richard Burton, already having doubts as to his work of 'normalizing' youths, reaches an intense state of self-doubt as he both respects, fears and psychologically manipulates the sick but vibrant youth who had a bloody eruption of passionate guilt that ended in violence. Eternal Sunshine of the Spotless Mind An insightful, quirky and sensitive masterpiece about memory, ingrained behaviour and emotional attachment.

Although this was written by Charlie Kaufman, I feel that Gondry made it his with his many visual quirks and love for his characters, as opposed to Kaufman's loathing. This movie explores the above themes by taking a loving relationship that has gone bad, and adding a memory erasure procedure into the story.

Lovers that live in pain naturally search for a way to remove their suffering, but what is left after memories are erased? Perhaps the love would remain, as well as habits, inclinations and even emotions that would cause us to make the same mistakes over again? What if, during a memory erasure procedure, we suddenly realized that we don't want to lose the good with the bad and that the good was a lot more important than we imagined?

Gondry has both visual as well as intellectual fun with all this, adding slight surreal touches as we see the world through a man's emotionally torn mind that is being systematically scrubbed.

Memories are consciously hidden or moved elsewhere, change before our very eyes, and even become surreally warped. Superbly touching, fun and fascinating for thinking, sensitive audiences. Far Side of the Moon, The A magical, quiet, subtle and rich movie.

This is one of those movies where the experience surpasses any attempt at description.

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5 Comments

  1. But if the invaders are taken as a symbol of the inner discontent and potential evil in human beings within our modern world, then it works as a disquieting movie, made even more off-kilter by the humor within the darkness. It's a systematic British depiction of what will happen when a nuclear war breaks out, focusing on the residents of Sheffield England from days before the attack until over a decade later when humanity has been reduced to animalistic survivors with almost no hope.

  2. The movie fails because it has none of the talented nightmarish atmosphere of Lynch, and the acting is too mediocre and flat to convince anyone. There's a bit of Del Toro in its psychological escape to dark fantasy, a bit of Gilliam in its meshing of reality with fantasy except fantasy doesn't exactly triumph here, and it is reminiscent of Stay in how clues come together except this one doesn't use dream-logic.

  3. Bed-Sitting Room, The Take the post-nuclear wastelands of junk, wrecks and scraps of Mad Max, mix with very dry Pythonesque absurdist humor, add some surreal touches and a slew of bizarre characters, and you may get this.

  4. A creepy doll that looks just like her, and some mice, take her into a surreal adventure that goes beyond the twilight zone, through an Alice in Wonderland tunnel into a land that tempts her with ideal alternative parents and endless fun.

  5. Very dense with metaphors and psychological layers, and the effects feel somewhat overdone at first but are magical once you get used to them.

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