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Keyser, and may not be used in whole or part without permission. People use it anyway, it's all over the web - when you see it, think of me.

Please report it to me. Aba-daba — Any dessert served in the cookhouse. Advance — Teams of employees traveled ahead of the circus route to put up posters and arrange for advertising, often visiting each town several times four weeks, two weeks and one week before the show.

They often traveled on dedicated "advance cars" or "bill cars," rail cars carried on freight trains, and had just one day at any stop to carry out their assignments.

Both the team and its ad campaign were simply called "the advance. The advance team might hire local youths to distribute heralds door-to-door. Beginning in the s, there was a union for bill crews: When a show played towns with a Billposters' local, union-member crews were required, and the paper would be rubber-stamped with a small "union bug" union logo indicating that the posters were put up by union members.

This practice was often ignored in towns where there was no Billposters' local or where there was not a strong pro-union sentiment. See "Agent" below Advise — The official schedule, posted on the outside of the backdoor and elsewhere, listing the current revision of the time and sequence of the acts. Aerialist — Performer who performs suspended above the ground on a trapeze or similar equipment wire walking is not an aerialist act.

Agent — The advance team was divided into three phases: AGVA — The American Guild of Variety Artists, a currently 5,member union representing performers in the variety entertainment field, including circuses, Las Vegas showrooms and cabarets, musical variety shows, comedy showcases, dance revues, magic shows and amusement park shows, arena and auditorium productions on tour.

Referred to in the musical "A Chorus Line" as 'the nightclub union. Awards the "Georgie Award" after George Jessel for variety performer of the year. Opinions vary on the AGVA, generally concluding that it is not even remotely as useful to the performers as the unions covering actors and musicians in legit theater, film, television or concert performance.

Did not, until recently, even maintain a minimal web page, but now does have one. Alfalfa — Paper money. All Out and Over, All Out, All Over — The entire performance is concluded, the audience has vacated the top and workers can begin re-setting or tearing down.

Annie Oakley — A complimentary ticket or free pass, also 'ducat. Announcer — The person who announces the acts to the audience during a performance. In modern times, he is usually dressed in red tailcoat and top hat he is sometimes referred backstage to as "the fancy pants" and commonly misnamed "ringmaster. Arch — The front gate. Arena — The large cage in which big-cat acts are performed. Arrow — A paper sign, a large usually red, on a white card printed arrow, used to mark the route between towns.

Taped to the posts of road signs by the hour man the day before the show moves. Can be placed in any orientation: Artist — Preferred term for a circus performer. Back Door — Performers' entrance to the big top. The privacy of this area is jealously guarded, for two reasons. First, it can be dangerous, especially for idiots who think it might be cool to sneak into the elephant tent and see them up close.

Second, as Bruce Feiler wrote in Under the Big Top, "The only way to survive in the circus was to build a private world of one's own.

Circus people … are like tigers: Those who survive do so by living in a tiny cage and only coming out when they have to perform. That's why I just retire to my trailer after the show and pull my curtains down. Baggage Stock — Horses used for hauling, as opposed to performing horses called "ring stock. The holes that poles fit into are grommets, made of rope, covered with canvas. In a push pole tent generally, the smaller tents all poles are inserted, under the canvas, into grommets, then the poles and with them, the canvas are pushed up by hand.

In a bale ring tent the canvas is laid out and the center poles are positioned over the canvas each through its large grommet in shallow holes the ground, then raised and guyed off. Then the side poles are raised and guyed off, and the main body of the canvas is attached to a large ring bale ring encircling each center pole.

These rings are raised up each center pole by block-and-tackle atop the pole, bringing the canvas along with them. Bally — In addition to its use in the sideshow sense, 'bally' might also refer to small prizes placed in boxes of candy as inducements to buy.

Ballyhoo — A spotlight cue meaning to sweep the light across the spectators in a figure-8 pattern used in a different sense in carnivals and sideshows. Barn — Winter quarters. Basket Animal — A costume made with a basket in the middle, looking as if the performer were riding a horse or other animal.

Suspenders hold the costume around the performer's waist. Benefit — A contractual arrangement under which the entire profit from one or more entire performances would go to a star performer. The idea was that this part of the performer's pay would, in fairness, depend on the performer's drawing power as well as the chance factors that affect the business.

Benefits went out of use early in the 20th century. Bibles — Souvenir programs. Also, boards placed under the reserved seat chairs, so-called because they fold closed like a bible.

Amusement Business, the trade magazine, was sometimes also called "the Bible. Big Cats — Performing lions and tigers. Big Top — The main tent used for the performance.

A tent is a top plus some walls, so "the big top" would be the largest tent on the lot. Bill — An advertising poster. Blowdown — When the tents are blown down by a storm. A blowdown is a genuine disaster, resulting in severely damaged tents, lost business and even lost lives. Blow Off — The end of the show when the concessionaires come out.

Also, the visual "punchline" of a clown gag. Blues or Stringers — The general admission seats, usually painted blue in engineering, "stringers" are long supporting members Boiler Room, Phone Room — System of selling advance tickets using teams of telephone salesmen cold-calling people. Such advance sales are indispensable to smaller shows, but the system is open to many abuses.

For instance, less-honest phone salesmen might ask you to buy a block of several tickets which they claim will be donated to poor deprived orphans through a local charity, which may very well not have been arranged with the charity which is totally unaware that tickets are waiting at the boxoffice on a certain day. Bongo Board — Same as a Rola Bola. Boss Canvasman — The man in charge of making sure the canvas goes up properly and doesn't come down short of a major blow down. Also decides on the placement of tents on the lot, and sometimes functions as lot manager for the sideshow as well.

Boss Elephant Man — Supervisor of the pachyderms. Brodie — An accidental fall but one which has an element of stupidity or clumsiness, rather than disaster. From the name of Steve Brodie, who in claimed to have survived a jump off the Brooklyn Bridge. Bugs — Chameleons or green anole lizards sold as novelties by butchers. Bullhook or Ankus or Elephant Guide — The dull pointed stick used by elephant trainers to "get the elephant's attention" and guide the animals to their tasks. The point and the hook-shaped side projection are about the size of, and no more pointed than, a human index finger.

No, it doesn't hurt them — what kind of idiot would stand practically under a very expensive multi-ton animal and hurt it? Recently renamed "elephant guide" to re-frame objections to using something called a "hook" on an endangered species. Bullhand or Bull Handler — Employee working with the elephants. Bulls — Elephants whether male or female. Also mostly with affection "rubber cows. Butcher — Strolling vendor selling refreshments or souvenirs.

Al Stencell said, on the Circus Historical Society forum in , "The food items were sent into the big top in an order. That is dry first. Once people were ready to almost kill you for a drink - then the wet went in. Candy apples didn't go in until the last couple of acts. Reason - it takes too long to eat an apple. From 'Calliope,' the Greek muse of music. Cake — Money made by short-changing customers at ticket boxes.

Caring Clown — Not a traditional circus term. Used by amateurs and Ringling publicity to refer to clowns who specialize in hospital visits "Awwwwww…". Carpet Clown — A clown who works either among the audience or on arena floor. Catcher — The member of a trapeze act who catches the flyer after he has released himself from the bar in a flying return act.

Cats — Lions, tigers, leopards, panthers. Cattle Guard — A set of low seats placed in front of the general admission seats to accommodate overflow audiences. Center Pole or King Pole — The first pole of the tent to be raised.

It is about 60 feet high and holds the peak of the tent. Character Clown — A clown who dresses in a character costume, often a tramp, but sometimes a policeman, fireman, etc. Charivari — A noisy whirlwind entrance of clowns; also called probably through an uneducated attempt to read this unfamiliar word 'shivaree. Cherry Pie — Extra jobs done by circus personnel for extra pay. Chinese — Extra jobs done by circus personnel without additional pay.

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Find free sex in ringling oklahoma

Keyser, and may not be used in whole or part without permission. People use it anyway, it's all over the web - when you see it, think of me. Please report it to me. Aba-daba — Any dessert served in the cookhouse. Advance — Teams of employees traveled ahead of the circus route to put up posters and arrange for advertising, often visiting each town several times four weeks, two weeks and one week before the show.

They often traveled on dedicated "advance cars" or "bill cars," rail cars carried on freight trains, and had just one day at any stop to carry out their assignments. Both the team and its ad campaign were simply called "the advance. The advance team might hire local youths to distribute heralds door-to-door. Beginning in the s, there was a union for bill crews: When a show played towns with a Billposters' local, union-member crews were required, and the paper would be rubber-stamped with a small "union bug" union logo indicating that the posters were put up by union members.

This practice was often ignored in towns where there was no Billposters' local or where there was not a strong pro-union sentiment.

See "Agent" below Advise — The official schedule, posted on the outside of the backdoor and elsewhere, listing the current revision of the time and sequence of the acts. Aerialist — Performer who performs suspended above the ground on a trapeze or similar equipment wire walking is not an aerialist act. Agent — The advance team was divided into three phases: AGVA — The American Guild of Variety Artists, a currently 5,member union representing performers in the variety entertainment field, including circuses, Las Vegas showrooms and cabarets, musical variety shows, comedy showcases, dance revues, magic shows and amusement park shows, arena and auditorium productions on tour.

Referred to in the musical "A Chorus Line" as 'the nightclub union. Awards the "Georgie Award" after George Jessel for variety performer of the year. Opinions vary on the AGVA, generally concluding that it is not even remotely as useful to the performers as the unions covering actors and musicians in legit theater, film, television or concert performance. Did not, until recently, even maintain a minimal web page, but now does have one. Alfalfa — Paper money.

All Out and Over, All Out, All Over — The entire performance is concluded, the audience has vacated the top and workers can begin re-setting or tearing down.

Annie Oakley — A complimentary ticket or free pass, also 'ducat. Announcer — The person who announces the acts to the audience during a performance. In modern times, he is usually dressed in red tailcoat and top hat he is sometimes referred backstage to as "the fancy pants" and commonly misnamed "ringmaster. Arch — The front gate. Arena — The large cage in which big-cat acts are performed. Arrow — A paper sign, a large usually red, on a white card printed arrow, used to mark the route between towns.

Taped to the posts of road signs by the hour man the day before the show moves. Can be placed in any orientation: Artist — Preferred term for a circus performer.

Back Door — Performers' entrance to the big top. The privacy of this area is jealously guarded, for two reasons. First, it can be dangerous, especially for idiots who think it might be cool to sneak into the elephant tent and see them up close. Second, as Bruce Feiler wrote in Under the Big Top, "The only way to survive in the circus was to build a private world of one's own.

Circus people … are like tigers: Those who survive do so by living in a tiny cage and only coming out when they have to perform. That's why I just retire to my trailer after the show and pull my curtains down. Baggage Stock — Horses used for hauling, as opposed to performing horses called "ring stock. The holes that poles fit into are grommets, made of rope, covered with canvas. In a push pole tent generally, the smaller tents all poles are inserted, under the canvas, into grommets, then the poles and with them, the canvas are pushed up by hand.

In a bale ring tent the canvas is laid out and the center poles are positioned over the canvas each through its large grommet in shallow holes the ground, then raised and guyed off. Then the side poles are raised and guyed off, and the main body of the canvas is attached to a large ring bale ring encircling each center pole.

These rings are raised up each center pole by block-and-tackle atop the pole, bringing the canvas along with them. Bally — In addition to its use in the sideshow sense, 'bally' might also refer to small prizes placed in boxes of candy as inducements to buy. Ballyhoo — A spotlight cue meaning to sweep the light across the spectators in a figure-8 pattern used in a different sense in carnivals and sideshows. Barn — Winter quarters. Basket Animal — A costume made with a basket in the middle, looking as if the performer were riding a horse or other animal.

Suspenders hold the costume around the performer's waist. Benefit — A contractual arrangement under which the entire profit from one or more entire performances would go to a star performer. The idea was that this part of the performer's pay would, in fairness, depend on the performer's drawing power as well as the chance factors that affect the business. Benefits went out of use early in the 20th century. Bibles — Souvenir programs.

Also, boards placed under the reserved seat chairs, so-called because they fold closed like a bible. Amusement Business, the trade magazine, was sometimes also called "the Bible. Big Cats — Performing lions and tigers. Big Top — The main tent used for the performance.

A tent is a top plus some walls, so "the big top" would be the largest tent on the lot. Bill — An advertising poster. Blowdown — When the tents are blown down by a storm. A blowdown is a genuine disaster, resulting in severely damaged tents, lost business and even lost lives. Blow Off — The end of the show when the concessionaires come out. Also, the visual "punchline" of a clown gag. Blues or Stringers — The general admission seats, usually painted blue in engineering, "stringers" are long supporting members Boiler Room, Phone Room — System of selling advance tickets using teams of telephone salesmen cold-calling people.

Such advance sales are indispensable to smaller shows, but the system is open to many abuses. For instance, less-honest phone salesmen might ask you to buy a block of several tickets which they claim will be donated to poor deprived orphans through a local charity, which may very well not have been arranged with the charity which is totally unaware that tickets are waiting at the boxoffice on a certain day.

Bongo Board — Same as a Rola Bola. Boss Canvasman — The man in charge of making sure the canvas goes up properly and doesn't come down short of a major blow down. Also decides on the placement of tents on the lot, and sometimes functions as lot manager for the sideshow as well. Boss Elephant Man — Supervisor of the pachyderms.

Brodie — An accidental fall but one which has an element of stupidity or clumsiness, rather than disaster. From the name of Steve Brodie, who in claimed to have survived a jump off the Brooklyn Bridge. Bugs — Chameleons or green anole lizards sold as novelties by butchers. Bullhook or Ankus or Elephant Guide — The dull pointed stick used by elephant trainers to "get the elephant's attention" and guide the animals to their tasks.

The point and the hook-shaped side projection are about the size of, and no more pointed than, a human index finger. No, it doesn't hurt them — what kind of idiot would stand practically under a very expensive multi-ton animal and hurt it? Recently renamed "elephant guide" to re-frame objections to using something called a "hook" on an endangered species. Bullhand or Bull Handler — Employee working with the elephants. Bulls — Elephants whether male or female.

Also mostly with affection "rubber cows. Butcher — Strolling vendor selling refreshments or souvenirs. Al Stencell said, on the Circus Historical Society forum in , "The food items were sent into the big top in an order. That is dry first. Once people were ready to almost kill you for a drink - then the wet went in.

Candy apples didn't go in until the last couple of acts. Reason - it takes too long to eat an apple. From 'Calliope,' the Greek muse of music. Cake — Money made by short-changing customers at ticket boxes. Caring Clown — Not a traditional circus term. Used by amateurs and Ringling publicity to refer to clowns who specialize in hospital visits "Awwwwww…". Carpet Clown — A clown who works either among the audience or on arena floor. Catcher — The member of a trapeze act who catches the flyer after he has released himself from the bar in a flying return act.

Cats — Lions, tigers, leopards, panthers. Cattle Guard — A set of low seats placed in front of the general admission seats to accommodate overflow audiences. Center Pole or King Pole — The first pole of the tent to be raised. It is about 60 feet high and holds the peak of the tent. Character Clown — A clown who dresses in a character costume, often a tramp, but sometimes a policeman, fireman, etc.

Charivari — A noisy whirlwind entrance of clowns; also called probably through an uneducated attempt to read this unfamiliar word 'shivaree. Cherry Pie — Extra jobs done by circus personnel for extra pay. Chinese — Extra jobs done by circus personnel without additional pay.

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