People writing about their gay sex. Writing Gay Characters.



People writing about their gay sex

People writing about their gay sex

Thanks and enjoy your stay. A lot of things have prompted this, and nothing in particular has. An odd thing to say about fiction, but I hope you understand what I mean.

Ask yourself every single time. You may not arrive at an easy answer. You may not arrive at an answer at all.

But storytelling is very fucking political, and you owe it to you, your story, your characters, and everyone who might ever read it to ask the question. You may want to tell the story. No one can stop you from telling the story.

For one thing, both characters are equals, each with his own power. This realization makes it easier for her to bypass all the traditional tropes found in mainstream romances.

Meoskop at Love in the Margins has a way more coherent takedown of this abomination and I recommend you read it. I write it sometimes, sure.

In practice what we have is a tremendous amount of stroke material featuring white cisgender traditionally attractive mostly able-bodied gay men, written by and for the consumption of straight cisgender women. Focusing on cisgender male erotic relationships to the exclusion of other queer identities because you find that stuff hot is erasure.

Reducing the significance of characters to gender and sexuality — especially in the interest of depicting erotic sexual activity — is fetishizing. The reduction of complex human identities to sex acts is essentializing.

I get that a lot of us like some porn, and I get that sometimes we just want our porn and we want to not have to perform sociocultural analysis of it before we make use of it. Write what you want. Read what you want. I mean, pretty much every writer should.

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People writing about their gay sex

Thanks and enjoy your stay. A lot of things have prompted this, and nothing in particular has. An odd thing to say about fiction, but I hope you understand what I mean. Ask yourself every single time. You may not arrive at an easy answer. You may not arrive at an answer at all. But storytelling is very fucking political, and you owe it to you, your story, your characters, and everyone who might ever read it to ask the question.

You may want to tell the story. No one can stop you from telling the story. For one thing, both characters are equals, each with his own power. This realization makes it easier for her to bypass all the traditional tropes found in mainstream romances.

Meoskop at Love in the Margins has a way more coherent takedown of this abomination and I recommend you read it. I write it sometimes, sure. In practice what we have is a tremendous amount of stroke material featuring white cisgender traditionally attractive mostly able-bodied gay men, written by and for the consumption of straight cisgender women. Focusing on cisgender male erotic relationships to the exclusion of other queer identities because you find that stuff hot is erasure.

Reducing the significance of characters to gender and sexuality — especially in the interest of depicting erotic sexual activity — is fetishizing. The reduction of complex human identities to sex acts is essentializing. I get that a lot of us like some porn, and I get that sometimes we just want our porn and we want to not have to perform sociocultural analysis of it before we make use of it. Write what you want. Read what you want. I mean, pretty much every writer should.

People writing about their gay sex

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4 Comments

  1. There was some razzing, of course: Should my characters know and fully embrace their sexuality before they meet or should I wait till they kiss to have them really think about who they are and their relationship? How can I write her in a way as to not fall into the 'evil gay' cliche?

  2. Before that, when I was 16 or 17, I would hire hustlers in Cincinnati and that was very sexy, because they were straight, and they were usually from Kentucky. And trust, you're not the only writer out there who hasn't had true love but likes writing romance. I'm writing a YA epic fantasy and I want to encapsulate the spectrum of human experience and in order to do that properly I feel I should portray all types of people.

  3. Can anyone tell me how they view people they are not attracted to in any sense without just saying "not" this or "not" that?

  4. I'm about to start writing a fanfic about a female villain who is a lesbian. It was funny, because when I first moved to New York in , I lived with a man and a woman, and the woman was gay, but she thought if she asked for some of this gay porn—on my behalf—that it would be seen as normal for a woman to be asking for it. My novelle is leading up to the siad characters suicide so I was thinking her being lesbian and getting tormented about it at her, very conservative, school could be another good reason for her to think that death is a better option.

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