Production[ edit ] The film was the first film produced by the director Atom Egoyan which was not written by himself. The entire film production time is only 37 days. The film was shot in Toronto and Lake Ontario. In describing her view of Catherine's relationship with Chloe, Moore noted "an emotional quality to their intimacy that has to do with their conversation and their basic receptivity to one another. Now what they turn into personally obviously is very different.
They are having completely subjective experiences, but that doesn't mean [they're] not incredibly receptive to one another and it clearly creates something in-between them. And that's what love and sex and intimacy and all that is. Someone who is listening to you, hearing you, there for you, that's the person you end up having a relationship with, sexual or just emotional or whatever.
I don't know if that has to do with gender necessarily". Neeson decided to leave the set to take care of his wife, who died from her injury a few days later. Fontaine also said that she was not happy with Nathalie This script also took Erin Cressida Wilson a lot of time and energy to create, and many times she couldn't figure out what real life was and what was the story in the script.
When Erin Cressida Wilson wrote the script, she always thought she was Chloe, and when the script came back to life, she would think she was Catherine again. Waiting for the script to be finished, but this aftereffect is still there. The characters in the play continue to influence Erin Cressida Wilson. This is undoubtedly a time-consuming and labor-intensive process, but Atom Egoyan enjoys it. The photographer Paul Sarossy thinks filming this film is obviously symbolic.
In this digital age , choosing to use film to shoot a movie is more of a feeling of escape from digital electronics. Although the film eventually uses some digital technology , it is not a digitally produced film.
In the movie, mirrors and glass were used as props for reflection and refraction. The costume design of the film also pays attention to the concept of mirroring. In order to complement the artwork, costume designer Debra Hanson specifically uses a layered mirror effect on the costume design.
Those repeated laces, laces, structures and decorations are also mirrored images. The effect is the same as showing the heart of a character. In addition, the relationship between clothing and the external environment has also been deliberately taken care of.
In the film, Chloe's scene in the greenhouse was decorated with a lot of leaves and patterns on the clothes she wore, which could reflect some of her inner unrest. In the wake of Chloe, Egoyan had since received many scripts of erotic thrillers. The disc includes an audio commentary , making-of featurette, and deleted scenes. The site's consensus is that "Despite its promising pedigree and a titillating premise, Chloe ultimately fails to deliver the heat—or the thrills—expected of a sexual thriller.