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Young teen group sex tgp

Young teen group sex tgp

In , the band could not have been in a better position. Their debut album Kezia, released while the band were too young to legally drink in the U. For their follow-up, they secured distribution in the states from Vagrant Records, a label riding high on the wave of Dashboard Confessional income at the time.

Vagrant treated Protest The Hero the way LeBron James treated Miami fans upon signing with the Heat in , delivering not one , not two , not three , but four music videos to promote Fortress.

In October , Fortress was re-released on cassette by Zegema Beach , a boutique screamo label that specializes in underground bands. There is no better summary of Protest The Hero than the contrast between these two rollouts. They are a band capable of touring for over a month on the reputation of a record released ten years prior, but are now consigned to the world of independent cassette labels no shots at Zegema Beach, they do good work. A band simultaneously gifted with out-of-this-world technical facility, but grounded by a punk ethos that allowed them to survive outside of the machinations of the music industry.

At the center of this strange and winding road is Fortress, an album that delivered on every promise that Protest The Hero made musically, but overshot their ability thematically. A scant three years later, they were swinging over the heads of their competitors. In less time than it takes to graduate high school, Protest The Hero had transformed from Peter Parker into Spiderman, blessed with superhuman skills and the earnest sentiment of a would be hero.

Kezia sounds like skate-punk by way of Dream Theater. Atop a pogo-pace appropriate for any white-belt two-step mosh pit, guitarists Tim Millar and Luke Hoskin shot sweep-picked arpeggios like web slings. Technical prowess is one thing, but what truly separated Protest The Hero from the rest of the metalcore pack was their heart. While the rest of the scene was happy to indulge in casual misogyny , Protest The Hero openly, nakedly, and earnestly cared.

Kezia is a three-act concept album about the prison industrial complex, organized religion, and harm that the patriarchy doles out on women. The album then dissects her sentencing from the perspective of the executioner, the prison priest, and the prisoner herself.

Having gone from your friendly-neighborhood metalcore band to a legit superhero, Protest The Hero now faced the challenge of following up a successful debut. And like Spiderman haunted by the death of Gwen Stacy, they could never quite shake the specter of the girl they could not save. It has to do with goddess worship, and how there has been this de-gendering of the Lord and Savior, and the suppressed feminine.

A lot of it is based in Genghis Khan and old Irish Mythology, about the rise and fall of the Goddess of the forest. If I had to reduce it to its simplest form, the concept is about the re-emerging of goddess worship and the erosion of faith in scientific process.

In between descriptions of ancient conquerors and divine feminity, the band find time time to muse on the irony of death by drowning, criticize fear-mongering science fiction, and stop for a quick smoke session. Instead of coalescing into a single narrative like Kezia, Fortress wanders through a haze of concepts without clarifying how they all add up.

By all accounts, this ambiguity was intentional. A less nerdy Protest The Hero album is a contradiction. The group are deliriously dorky. Kezia filtered those impulses through a snotty punk approach, but Fortress gives into them fully and shamelessly. Their songs are so structurally complex that they should feel like a slog to get through, but they tear through each section so quickly that the information overload hardly registers.

Musically, Fortress tops Kezia by every conceivable metric. It is bigger, bolder, more melodic, heavier, and crisper in its execution. Kezia may have been a fictional narrative, but its themes were grounded in the concerns of modern life. Fortress took the same interest in how social norms, faith, and system of power intersected to oppress women and attempted to apply them to the whole of human history. References to Genghis Khan, Flidais, UFOs, and the unknowable origin of human life all zip by with little explanation.

In three songs, goddess worshipping pagan rituals are wiped out by Christianity, which are in turn gradually phased out by science. When our understanding of the universe changes so rapidly and our ability to express that understand fails so consistently, what value is there in expressing yourself at all?

Around the same time, the band faced a more material crisis of identity. Now, Fortress hangs like a banner above them, a symbol of their breakthrough as well as their conceptual undoing.

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Young teen group sex tgp

In , the band could not have been in a better position. Their debut album Kezia, released while the band were too young to legally drink in the U.

For their follow-up, they secured distribution in the states from Vagrant Records, a label riding high on the wave of Dashboard Confessional income at the time. Vagrant treated Protest The Hero the way LeBron James treated Miami fans upon signing with the Heat in , delivering not one , not two , not three , but four music videos to promote Fortress. In October , Fortress was re-released on cassette by Zegema Beach , a boutique screamo label that specializes in underground bands.

There is no better summary of Protest The Hero than the contrast between these two rollouts. They are a band capable of touring for over a month on the reputation of a record released ten years prior, but are now consigned to the world of independent cassette labels no shots at Zegema Beach, they do good work. A band simultaneously gifted with out-of-this-world technical facility, but grounded by a punk ethos that allowed them to survive outside of the machinations of the music industry.

At the center of this strange and winding road is Fortress, an album that delivered on every promise that Protest The Hero made musically, but overshot their ability thematically.

A scant three years later, they were swinging over the heads of their competitors. In less time than it takes to graduate high school, Protest The Hero had transformed from Peter Parker into Spiderman, blessed with superhuman skills and the earnest sentiment of a would be hero.

Kezia sounds like skate-punk by way of Dream Theater. Atop a pogo-pace appropriate for any white-belt two-step mosh pit, guitarists Tim Millar and Luke Hoskin shot sweep-picked arpeggios like web slings. Technical prowess is one thing, but what truly separated Protest The Hero from the rest of the metalcore pack was their heart.

While the rest of the scene was happy to indulge in casual misogyny , Protest The Hero openly, nakedly, and earnestly cared. Kezia is a three-act concept album about the prison industrial complex, organized religion, and harm that the patriarchy doles out on women. The album then dissects her sentencing from the perspective of the executioner, the prison priest, and the prisoner herself.

Having gone from your friendly-neighborhood metalcore band to a legit superhero, Protest The Hero now faced the challenge of following up a successful debut. And like Spiderman haunted by the death of Gwen Stacy, they could never quite shake the specter of the girl they could not save.

It has to do with goddess worship, and how there has been this de-gendering of the Lord and Savior, and the suppressed feminine. A lot of it is based in Genghis Khan and old Irish Mythology, about the rise and fall of the Goddess of the forest. If I had to reduce it to its simplest form, the concept is about the re-emerging of goddess worship and the erosion of faith in scientific process.

In between descriptions of ancient conquerors and divine feminity, the band find time time to muse on the irony of death by drowning, criticize fear-mongering science fiction, and stop for a quick smoke session.

Instead of coalescing into a single narrative like Kezia, Fortress wanders through a haze of concepts without clarifying how they all add up.

By all accounts, this ambiguity was intentional. A less nerdy Protest The Hero album is a contradiction. The group are deliriously dorky. Kezia filtered those impulses through a snotty punk approach, but Fortress gives into them fully and shamelessly. Their songs are so structurally complex that they should feel like a slog to get through, but they tear through each section so quickly that the information overload hardly registers.

Musically, Fortress tops Kezia by every conceivable metric. It is bigger, bolder, more melodic, heavier, and crisper in its execution. Kezia may have been a fictional narrative, but its themes were grounded in the concerns of modern life.

Fortress took the same interest in how social norms, faith, and system of power intersected to oppress women and attempted to apply them to the whole of human history. References to Genghis Khan, Flidais, UFOs, and the unknowable origin of human life all zip by with little explanation. In three songs, goddess worshipping pagan rituals are wiped out by Christianity, which are in turn gradually phased out by science. When our understanding of the universe changes so rapidly and our ability to express that understand fails so consistently, what value is there in expressing yourself at all?

Around the same time, the band faced a more material crisis of identity. Now, Fortress hangs like a banner above them, a symbol of their breakthrough as well as their conceptual undoing.

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3 Comments

  1. Kezia may have been a fictional narrative, but its themes were grounded in the concerns of modern life.

  2. A band simultaneously gifted with out-of-this-world technical facility, but grounded by a punk ethos that allowed them to survive outside of the machinations of the music industry.

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